Sister Corita and Me

Dear Liza,

Back in March, I got some books about Sister Corita Kent for my birthday. As you might suspect, Corita was a Catholic nun. She was also an artist and teacher at the progressive (as far as Catholic institutions go) Immaculate Heart College in Los Angeles back in the 1960s.

I will not attempt a detailed biography here. There are dozens in print and online, by folks who have done their research.

What I want to talk about is how some of Corita’s “Ten Rules’ have affected me and my art.

Number 4. Consider everything an experiment.

I know Crazy Quilts are an OLD thing, but mine is a NEW thing, at least to me. Combining piecing, embroidery, beading and quilting in one totally original creation big enough for two people to snuggle under was a seven month expeiment. It worked out pretty well.

Number 6. There are no mistakes. There is no win and no fail.

This is comforting to me, after years in the classroom where I dreaded making mistakes in front of my students. Knowing I can learn from everything makes me braver.

Number 7. The only rule is the work. It is people who do all the work all the time that figure things out.

For the past few years, with help from Auntie Bridgett and Ruthie Inman, I have been reading, thinking and experimenting with art. The stitches in my Crazy Quilt were an experiment. Laying down layers of collage, then tissue, then ink. Three dimensional constructions covered in paper mosaics… all experiments. I like some better than others, but I learned from them all.

And, as Sister Corita promised, I am figuring things out.

Love,

Grandma Judy

Layers and Layers (Part 2)

Dear Liza,

The other day I decided to see just how loosely I could start a picture. The only decision I made was ‘blue’ and ‘circles’.

I swished these down and and left them to dry. An hour later when I came back, they looked pale and flat. I gave them some darker swooshes, and, while they were damp, some splatters of plain water.

Seeing that my scheme was working, I headed to the kitchen and collected my circular implements of art…. a shot glass, a tiny bowl, a bit of Tupperware…. and a tube of chapstick.

Once the paper was completely dry, I started tracing circles in dark blue water color pencil. I wanted to lay down colors in layers, so no black. Yet.

The tracing needs a steady hand, and I did a lot of drawing, stopping, and staring. I wanted it to be interesting but not chaotic, balanced but not symmetrical. I wasn’t trying to make planets, or wheels, or anything, really. Just interesting and pleasing to my eye.

I added a few more circles, the. realized it needed contrast, so some pink and fuchsia came out of the pencil box.

It was going in a good direction. But it was still too pale. Now was the time to get the black out. Auntie Bridgett gave me a size 005 micron pen, and I used it for details.

I think I am almost there…. some more black and maybe some white to pop out a bit, maybe.

I love art! After thirty years of classroom teaching and having to be absolutely sure about everything, it is nice to say “ I don’t know how that’s going to turn out” and be okay with it.

Love,

Grandma Judy