Besides being shutdown because of the Corona Virus, Portland is now dealing with Federal troops in our downtown streets every evening. It is also about 100 degrees by noon these hot July days. So I am staying inside.
I have taken Hitoshi Shigeta’s sketchbook islands, sent to us by Jennifer Coile, and run with it! I made a few islands in the original drip-and-spread method, but wanted the features to stand out more. I gave the accidentally created features more contrast with my paintbrush.
As I worked, I began to see where the snow would accumulate, how the melt would flow, and what the topography of the island would be. It became a very real, very happy place for me. I named it Welcome Home.
I realized that my calligraphy skills were not up to labeling the features on my map, so Auntie Bridgett suggested using cut-out letters and words in a sort of collage technique, and I am really enjoying it. Years of Portland Monthly, Better Homes and Gardens, and Sunset Magazines, and all our old maps are getting harvested.
Having gotten my island to this point, I am not sure what to do with it next. But my Dad always said that if you can’t decide what to do, maybe it isn’t time to make that decision yet. So I will put my maps in a safe place and figure it out later.
You know that Auntie Bridgett Spicer is an artist. You know she can paint, draw, and make beautiful collages and cartoons. Did you know that she sells her art?
Well, she does! Last night just before First Friday’s New Artist Reception at The SideStreet Arts Gallery, she sold her first piece of art since we moved to Portland. Her beautiful collage portrait of Max Jacob sold to a nice lady who bought it as a gift for her husband.
We are all so happy and proud of Auntie Bridgett! She works hard on her art and makes such lovely pictures, and it makes me smile to know they will go out into the world and make people happy.
How did she make this beautiful piece? She has given me permission to show you.
Step 1: She drew a pencil portrait of Max Jacob, using photographs for reference. Max was an artist and friend of Picasso in the 1920s and 1930 in France, so there are lots of pictures of him.
Step 2: She cut out all the different parts of the drawing to use as templates for the collage pieces.
Step 3: From her huge collection of papers, she found just the right ones to create his face and suit, then carefully cut them out and glued them down. She rolled each bit so it was smooth. She used paints to give the portrait wonderful depth and humanity. When it was perfect, she matted and framed it.
Step 4: Listening to me when I told her she HAD to take it to the Gallery for her show!
This was a long process where a stray sigh could blow all the bits away, but she stuck with it and made a wonderful piece of art.