We got to meet some new friends at the Portland Art Museum. The wonderful new show, called “Private Lives”, features the Nabis, a group of young French artists who worked from about 1880 until 1900. They were a generation or so after the Impressionists like Monet and Renoir, and their style had evolved.
The Impressionists tended to work outdoors, catching the effects of light and wind on their subjects. Monet’s breezy portrait of his wife with an umbrella is a perfect example.
The Nabis show mostly family members in their works, but the art was produced from memory, not life, and most of the scenes depicted are indoors. The feelings they evoke are more cozy than breezy.
Pierre Bonnard is my favorite Nabi. His use of pattern and color of clothes and wallpaper and his subject choices of women, children, dogs and cats is just charming. “The Checkered Blouse”, showing a woman and her cat, is my favorite. His works show intimate, personal scenes that invite you into his family circle.
Another delightful set of works by Bonnard were drawings for a children’s music book that he worked on with his brother-in-law, musician Claude Terrasse. These show music as a loving part of the home, with generations learning and playing together.
Bonnard even used the family to show music theory, as on this page where an octave is shown as taller and taller family members, until the top note is a small child held over the mother’s head.
I will show you some more about the Nabi tomorrow!
2 thoughts on “Meeting the Nabis”
I like the phrase, “More cozy than breezy.”
Thanks! Every now and then The word gods stop by for a visit.
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