The Art of Displaying Art

Dear Liza,

While I was enjoying the art of the Nabis, I was also noticing how well the display space had been designed to complement the paintings and prints.

And it was no accident. The curators, Mary Weaver Chapin and Heather Lemonedes Brown, had done some art history sleuthing and found reproductions of historic wallpapers that looked very much like the rooms in the paintings.

Since so much of the mood of the display space is evoked by the wall coverings, using period wallpaper allowed us to see the paintings as they were intended to be seen: against vibrant colors and busy designs.



The music that was playing in the display area was fitting, as well, light and pleasant. The only way to have made it more cozy would have been to have a cushy sofa in front of each piece, but that may be a bit much to ask for.

As we headed out into the chilly wet afternoon, I felt as though I had spent an afternoon at a gracious, well decorated home.

Love,

Grandma Judy

Meeting the Nabis

Dear Liza,

We got to meet some new friends at the Portland Art Museum. The wonderful new show, called “Private Lives”, features the Nabis, a group of young French artists who worked from about 1880 until 1900. They were a generation or so after the Impressionists like Monet and Renoir, and their style had evolved.

The Impressionists tended to work outdoors, catching the effects of light and wind on their subjects. Monet’s breezy portrait of his wife with an umbrella is a perfect example.

The Nabis show mostly family members in their works, but the art was produced from memory, not life, and most of the scenes depicted are indoors. The feelings they evoke are more cozy than breezy.

Pierre Bonnard is my favorite Nabi. His use of pattern and color of clothes and wallpaper and his subject choices of women, children, dogs and cats is just charming. “The Checkered Blouse”, showing a woman and her cat, is my favorite. His works show intimate, personal scenes that invite you into his family circle.

Another delightful set of works by Bonnard were drawings for a children’s music book that he worked on with his brother-in-law, musician Claude Terrasse. These show music as a loving part of the home, with generations learning and playing together.

Bonnard even used the family to show music theory, as on this page where an octave is shown as taller and taller family members, until the top note is a small child held over the mother’s head.

I will show you some more about the Nabi tomorrow!

Love,

Grandma Judy