Islands in Stitches

Dear Liza,

The funny thing about making art is that you never know exactly what a piece is going to be before you finish it, and you don’t know when it will be done until it suddenly is. The artistic process, if you let it, causes you to make choices about ‘what comes next’ that are surprising.

Splodges to paintings….

My ‘ Islands’ are a case in point. They started with watercolor splodges, and evolved into painted, intentional pieces. “Tim’s Island” , for my fishing-loving brother, was one of these.

Paintings to embroidery…

Then, because of a misunderstood suggestion from Elaine, I painted Hawaii’s Big Island on fabric. I liked it, but needed a little something more, so I embroidered a bit. I liked it even more.

Tom Sawyer’s Island in topo form

My next island, Tom Sawyer’s, also got painted on fabric, but in a more abstract, topographical style. Besides the stitches to show trees and peaks, it also needed something extra, so I added waves.

When will it stop?

I think my next island will be bigger, so I can show more detail. I am hoping to paint Robert Louis Stevenson’s Treasure Island, complete with Billy Bones’s hideout.

The next project….

Stay tuned to see what madness comes next!

Love,

Grandma Judy

More Sketchbook Islands

Dear Liza,

Besides being shutdown because of the Corona Virus, Portland is now dealing with Federal troops in our downtown streets every evening. It is also about 100 degrees by noon these hot July days. So I am staying inside.

My first, ‘accidental‘ map

I have taken Hitoshi Shigeta’s sketchbook islands, sent to us by Jennifer Coile, and run with it! I made a few islands in the original drip-and-spread method, but wanted the features to stand out more. I gave the accidentally created features more contrast with my paintbrush.

As I worked, I began to see where the snow would accumulate, how the melt would flow, and what the topography of the island would be. It became a very real, very happy place for me. I named it Welcome Home.

Making it real….

I realized that my calligraphy skills were not up to labeling the features on my map, so Auntie Bridgett suggested using cut-out letters and words in a sort of collage technique, and I am really enjoying it. Years of Portland Monthly, Better Homes and Gardens, and Sunset Magazines, and all our old maps are getting harvested.

Having gotten my island to this point, I am not sure what to do with it next. But my Dad always said that if you can’t decide what to do, maybe it isn’t time to make that decision yet. So I will put my maps in a safe place and figure it out later.

And what will I do next? Who knows?

Love,

Grandma Judy