Last October, my friend Ruth got me (and a bunch of other friends) started on an art journal. She posted ideas for each day…. draw a ghost, or a tree. It was fun and kept me thinking about new ways to draw familiar images.
November brought a different sort of challenge. The ideas weren’t for WHAT to make, but what to make them FROM. Threads, junk mail, bubble wrap, all became part of the repertoire. That was another sort of mental stretch, and was more challenging. I started looking at everything with the thought, “Could I use this?”
In December, I’m sure there were suggestions, but between bracing for the holiday and being on my own ‘circle’ binge, I didn’t pay any attention. While I like what I made with circles, it is time to come back to the art journal and get out of my own head.
January is still pretty new, but I like where we are going. So far, the prompts have been concept-based. “Celebrate” and “Sunshine” are what I’ve gotten done, and as you can see, I’m still enjoying circles.
I happy to have things to pull my brain from its rut.
I started painting this spring. It made sense to paint flowers because are a pleasant, familiar image and, the way I did them, pretty simple. I had not realized that I was painting flowers BECAUSE it was spring. (Yes, sometimes I am a little dense.)
This weekend I looked back at my paintings as the seasons shifted. Even when not working from a seasonal prompt, the pictures kept progressing.
And the latest batch have accidentally proven my point. My spring flowers have given way to frozen landscapes. I have not set out, in most of these pieces, to make a picture of the season. I sit down, look my paints, and pick what appeals to me. I guess my brain is more connected to the wet, dark Oregon winter than I thought. Winter has certainly arrived, and I am feeling it heavily this year.
Maybe today I will try and find spring again, if only in my art, and paint a flower. Or would that would be out of synch, like wearing shorts in the snow?
I am not sure. I have had such fun just painting what comes to mind, I don’t want to irritate the Muse. I’ll see what happens today, I guess.
I know it’s not even October yet, but… we’re decorating! Halloween is such a fun time, we just got out the boxes of pumpkins and skeletons and jumped in.
I love our decorations. Bridgett made many of them over the years, in ceramic painting classes or out of crafty supplies. That talent runs in the family, because her Momma Donna painted this witch forty three years ago! It lights up and gives a great happy, spooky feeling.
Between sewing, painting, and salvaging, we have quite a collection. Wine bottles become cute with some spray paint…
This skull is all that remains of a plastic skeleton my teaching partner Laurel and I were gifted by Hartnell College, many years ago. The rest of him fell apart toe by toe, but I just had to keep the skull.
And here is our latest creation, a voodoo doll. Any resemblance to current governmental official is absolutely intentional.
Our country seems to be in a dangerous place. Our people are fighting each other in Walgreens about wearing masks and in the streets over everything else. Our President is talking crazy about not leaving office when his time is up. People are worried about their health, their schools, and their jobs.
Last week, walking back from downtown, I passed this fallen oak tree in our Lone Fir Cemetery. It was one of the old ones, probably fifty feet tall, and had green leaves all over it. Five minutes before it had fallen, it had looked fine.
But now that I was able to see into the trunk, I could see the truth. It was rotten on the inside, hollow and useless. I had a shiver of bad literary juju. “That’s like us,” I thought. “We still live in nice houses and have luxuries, but our government has failed to protect us from the evil ambition of this President. We could fall any moment now.”
That sense of dread has stuck with me for days. It has given me nightmares. But it won’t stick around forever. There is still good in the world, and I went out and found some.
I love public art, especially the small bits that sneak up on you. It lets us see good intentions and know that the power for good is there, even when the artist has moved on.
I love that more people are registering to vote and encourage others. I love that even “the other side” is taking steps to limit the damage to our Democracy. And I hope that when all this energy is acted upon, it will be enough.
I send you waves of love and hope for a better day.
It has been a really difficult week. Heavy smoke from the Oregon fires has kept us inside and is making everyone feel sick. The virus that President Trump ignored is still killing a thousand people a day, and our government seems determined to punish anyone who disagrees with it. It has been very hard to find any happy.
Yesterday I wrote a letter to my brother Tim (yes, I type my letters) and illustrated it with forests and smoke. It was a sad picture, but it made me feel better to put something in paper.
I gathered up my watercolors and played with some of the skills Ruth Inman has taught me in our online art group.
First, I taped the paper down, and really soaked it. While it was wet, I gave a wash of bright yellow and orange, making sure it was nice and random.
While the paper was still damp, I used a toilet paper roll to make big circles and a rolled up strip of regular paper to make small ones…. just a few. Then I let everything dry.
This next process takes the longest because you have to let things dry between layers. If you try and paint everything at once, it all runs together. Over the course of the afternoon I put in the petals and centers of the flowers.
When that layer seemed “done”, I let it all dry. Then I got out the Elegant Writer pen Ruth had sent me and put in the details of the flowers. It was fun to see the orange and yellow pop against the black lines.
And I felt better. Something about the bright colors, the creative process and the control of this little piece of paper allowed me to feel joy for the first time in days. I recommend this ‘art therapy’ to anyone feeling sad.
We will get through this and find light in the other side, I know. And art will help.
I wanted to update you about a project I have been working on for a month now. It is my painted and embroidered version of Robert Louis Stevenson’s Treasure Island.
It started out more like RLS’s desert island, but since I knew I was going to spend a lot of mental time there, I wanted it to be greener and prettier. Billy Bones went mad for a reason, you know, and I don’t need more crazy-making. I need less. So I added rivers, some real mountains, and a nice lush rain forest.
Having painted it “as a first layer”, I needed to figure out the next layer. Lay in the outlines, then stitch some mountains, then… maybe some rapids? Yes, this was coming along.
There were mistakes, of course. I put in what I thought was very cool texture that Bridgett said looked like obstacles the Germans put on the Normandy beaches on D Day, so they had to go. This led me to more organic lines, which I really like. More texture, more naturalistic colors, a weird marriage of map and landscape.
This project is giving me so much pleasure. Something to do with my hands, to work off the fidgety Evans energy during these shut-in days. A place to create and visit that is green and lush, far away from political and environmental ugliness. And the freedom to make a piece of my world, just as I like it.
On Thursday we got a chance to do good work for Portland. Grandpa Nelson got us signed up with a group called SolveOregon, who use volunteers to cleanup and repair around the state.
We got up early and drove downtown to help with litter clean up. Except in the area just around the Federal Building, (where the protests and conflicts with police have been happening every night for three months), most of the storefronts are fine and businesses are open.
Our check-in location was at the Mark Spencer Hotel, where ninety masked but friendly people waited in line to get directions and equipment. We collected our long handled grabbers, gloves, and plastic bags, and headed off.
It was slow going, because most of the litter we were picking up were small, like bottle caps or cigarette butts. It took us a while to get the hang of handling the grabbers. We walked along, heads down, focusing on the sidewalk. About every fifteen minutes we would look up and check in with each other and figure out where we were.
I am sorry for the lack of photos to tell this story, but it was difficult to use my phone while wearing gloves, a mask, and carrying a bag and grabbers. I made a choice to do the work well instead of photo-documenting.
As we walked along, we were pleasantly surprised by folks’s reactions. People would roll down the window of their cars and holler “Thank you!!”. A postal worker stopped us and told us how much he appreciated our help to make the city better. Auntie Bridgett made sure he knew that we appreciated his work, too.
After two hours, we had a satisfying amount of garbage in our bags, and were pretty much done in, and turned in our grabbers. We chatted with Sarah, our group leader, who let us know we could help in other ways, and directed us to the website to check it out.
We had a wonderful, filling lunch at the Zeus Cafe, a McMeniman’s restaurant just a block from where we were working. I hadn’t realized how hungry or tired I was! By the time we got home, I could hardly walk up the stairs.
I am happy that we spent a few hours doing something to help our city. We have had recent problems, caused by the pandemic and social unrest, but we are also just a big city with millions of people smoking, doing business, and eating. It takes maintenance to keep it up.
Once I got to the Tilikum Crossing Bridge, I had intended to head right back home, but my Dad’s voice whispered “Go home a different way, so you see something different.”
So I continued across the bridge to the Westside. The pedestrian walkway has recently been finished and makes for a very pleasant, if warm, walk between the bridges. There were more adventurers out and about.
I found Poet’s Beach, a side path lined with stones that are carved with poetry written by students, years ago.
It is loud, because it is right under the double decker Marquam Bridge, but worth a read and a visit.
By this time, my feet and my phone batteries were telling me it was time to head home. I decided to cross back over the Hawthorne Bridge. I love the views of bridges from other bridges!
Of course, political statements are everywhere. I liked this re-purposed public service message.
You can see a lot of Portland from bridges, too. Joggers, cyclists, the Burnside Bridge and the Convention Center are all in these shots.
Once I was back on the Eastside, I realized I was hungry, and came upon Asylum, a food Court on the site of Dr. Hawthorne’s Oregon State Hospital for the Insane. This much-respected institution stood from 1862 to 1883. It closed when the good Doctor died and burned to the ground a few years later.
The space has a steampunk cartoony vibe, with trash containers that made me laugh, and really tasty food.
I had pot stickers from the Thai place and enjoyed some people and art watching.
Once I was fed, I still had a mile walk, all uphill, to get home. I paced myself, admiring gardens, appreciating shade, and visiting with nice folks. I had done what I had intended to do, walked a total of 6.2 miles, and it felt good.
By the way, as you can tell, Portland is not “in flames”. We are fine. The protests are being exploited by the President and his allies who want to use Portland as an excuse to use strong arm tactics against his political enemies. He is lying.
Since I retired from teaching, my brain is like a kid in kindergarten, always finding something new. I opened a cupboard and found things to write about, so I wrote… for months and months.
Then I opened another cupboard and there was fabric, so I sewed.
And now I have found the paint cupboard. First gouache, then watercolors. And, like a kindergartener, I have friends with ideas that feed my ideas. “Come join my painting group,” said Ruthie. I did, and it has been wonderful. Art, silliness, and learning all come together in the magic proportions that teachers strive for.
I posted the islands I was painting and dear Elaine said, “I’ll bet you could put those islands on fabric, and maybe even quilt them.” Well, it turns out that you can paint on fabric with regular acrylic paints if you add a bit of “gac” paint medium. Auntie Bridgett had some, because of course she did.
I spent a day looking at maps of all the islands I love. The Big Island of Hawaii. Tom Sawyer’s Island at Disneyland. Treasure Island from Robert Louis Stevenson. Tiny Gabriola Island in the Strait of Georgia. Neverland. Sketch, reconsider, sketch.
And finally I started painting my first fabric island. After smooth gouache and watercolors, the acrylic and muslin felt heavy and clumsy, but I kept at it.
I am still not totally happy with it, but I will get better if I just keep practicing. It seems a bit flat. Hmmmmm… Maybe I can add embroidery or even some beads. Maybe my friends will give me some good ideas.
I am now spending a few hours everyday painting! It is giving the creative part of my brain a place to play while our days are just too hot to go outside. I started with flowers, but am branching out, so to speak.
Auntie Bridgett forwarded me a video from her friend Jennifer Coile, called “Sketchbook Islands”. Jennifer had found the video and thought we would enjoy it. And boy, was she right!
The video can be found on YouTube.com, or you can follow this link. It shows the work of Hitoshi Shigeta, who creates beautiful, mysterious maps of islands that don’t exist.
The technique looked so simple, I had to try. And then it was so fun, I kept at it. You start with watercolor paper and two or three colors of very wet watercolor paint. Drop a few fat drops of paint onto the paper, then quickly cover it with a piece of plastic wrap. Give it a soft rub to move the paint around, then peel off the plastic.
You will have an irregularly shaped blob with really interesting edges and shadings. This will dry quickly. When it does, repeat with a different color, extending your ‘island’ and partially overlapping your first layer.
Once I had it figured out, I began to experiment. I put down a quick wash of blue for the sea, then let it dry before creating my island. I played with bizarre colors and different materials. Flattening the paint with wrinkled tin foil gives a very different, ‘rockier’ island, and a combination of tin foil and plastic wrap is good, too. I tried ‘blobbing’ the wet paint on before flattening it, to give me more control and less splatter.
Once you are happy with how your island looks, you can make it more map-like by tracing the shoreline with a pen and putting in waves, sea monsters, and other details like mountains, buildings, or bridges.
This technique feels perfect for these difficult times. First, it is non-threatening and hard to mess up. Second, you are creating another world, and you get to name it. You can be as silly as you like. Silly is very good for mental health, I have found.
Finally, creating these islands lets your mind SEE these mysterious islands, and maybe, for a little while, BE there, far away from Corona virus and political turmoil. You can imagine standing on a mountain crag looking out at the sea, or walk across a grassy plain towards the beach. Feel the wind coming up the slope. Hear the gulls swooping over the waves.
The only weakness of this technique, for me, is the lettering. I do not have a good hand for such detail work, but I am working at it. Maybe I can use stamps or collage to overcome my shortcomings. Meanwhile, I get to visit these wonderful islands.