Art at home – Page 4

Still Growing, Part 2

Dear Liza,

Last summer, a few months after the Covid shutdown, I started painting with an online group organized by Ruth Inman. It made sense that we should start painting with flowers…. who doesn’t like flowers?

My skills weren’t very good, and I was scared of making mistakes, but being with an old friend put me at ease. The tremor in my hand got in the way a bit, but I’d just power through, realizing that the wiggly lines could be just part of the picture. Flowers don’t have straight lines, anyway.

As the year passed, Ruth would give us challenges to use different materials, like candy wrappers or other recycled papers. These let me realize that ART didn’t have to mean making a perfect painting every time. The making, the process, was the main thing. If other people liked it when you were done, that was a bonus. But it was not the main goal.

Realizing that, I got more confident. I also came to understand that different media work in different ways. Watercolors always show through, so planning is crucial. Acrylics are more forgiving and will cover up mistakes. Collage needs a careful hand but is amazingly freeing. And all of these can be used in the same piece, if you like!

This is my new favorite, a remembering of a drive along the Willamette. As I sat on a bench looking at Mt. Hood far away across the river, I planned out how I would construct it. Watercolors for the sky and ground, THEN the distant mountain (out of a bit of Kleenex box), THEN the flowers/ trees in front of it, then the river and dogs. I found the note in the sky folded up in our picnic table, and wanted to include it.

I built up from the background to the foreground, and was pleased with how it turned out. The snow on the mountain is a tiny bit of Posca marker.

I’ve learned a lot this year. Mostly, I learned that I am still learning, which is a good thing.

Love,

Grandma Judy

Layers and Layers (Part 2)

Dear Liza,

The other day I decided to see just how loosely I could start a picture. The only decision I made was ‘blue’ and ‘circles’.

I swished these down and and left them to dry. An hour later when I came back, they looked pale and flat. I gave them some darker swooshes, and, while they were damp, some splatters of plain water.

Seeing that my scheme was working, I headed to the kitchen and collected my circular implements of art…. a shot glass, a tiny bowl, a bit of Tupperware…. and a tube of chapstick.

Once the paper was completely dry, I started tracing circles in dark blue water color pencil. I wanted to lay down colors in layers, so no black. Yet.

The tracing needs a steady hand, and I did a lot of drawing, stopping, and staring. I wanted it to be interesting but not chaotic, balanced but not symmetrical. I wasn’t trying to make planets, or wheels, or anything, really. Just interesting and pleasing to my eye.

I added a few more circles, the. realized it needed contrast, so some pink and fuchsia came out of the pencil box.

It was going in a good direction. But it was still too pale. Now was the time to get the black out. Auntie Bridgett gave me a size 005 micron pen, and I used it for details.

I think I am almost there…. some more black and maybe some white to pop out a bit, maybe.

I love art! After thirty years of classroom teaching and having to be absolutely sure about everything, it is nice to say “ I don’t know how that’s going to turn out” and be okay with it.

Love,

Grandma Judy

Layers and Layers (Part 1)

Dear Liza,

As I typed that title, I thought of how I am dressing nowadays, and making the bed: Layers and layers. We have had very cold nights and may even get snow tomorrow! But that’ s not what I’m writing about today.

I am still learning about how to make pictures look like I want. I will usually start with some idea or shape I am inspired by.

Or sometimes I just throw down some color or lines, and go from there.

One of last week’s Art Journal challenges was “Circles”, which I love. I took the diagonal lines of the abstract photo from The Coast last week and added pinkish circles. I liked it!

But when I looked again a few days later, it looked unfinished. It needed contrast. So I filled in the spaces with blue and black, and I like it better now. It might be done. Maybe. Are the planets dark enough, or should they be filled in?

I’ll let you know when I know. More about layers tomorrow!

Love,

Grandma Judy

Finally, A Product

Dear Liza,

Yesterday was busy! I walked down to Auntie Katie’s to deliver some cookies, made art with stencils, and got a bunch of essays edited. It felt good to be accomplishing things.

I also finished a non-dominant (lefty) piece that I started last week. . It was the most difficult so far, and it took days of on and off work. My left hand isn’t very strong and working with it is hard, so I only do about an hour at a time.

I decided to copy my photo of a bridge at Cambridge, England. The reflections and delicate windows are just beautiful.

I knew it was going to be hard, but easy stuff doesn’t make me smarter, and if it was horrible, I could always tear it out of the journal. I started, wiggly lines and all, feeling worse and worse about it as I went on.

I was so discouraged I put it away. But after a few days I remembered Picasso’s statement that if, at some point, you don’t hate a piece, you will never make anything worthwhile. I decided to give it another chance.

I got the watercolors out and, still left handed, started adding color. Watercolor always needs layers and layers to look right, so my lazy left got a workout. That took another long afternoon of painting and drying, and painting some more. It was better! I got out the colored pencils to give some stronger edges on the bridge and bricks, and eventually was satisfied. It could stay in the journal, though I think it still needs some shading.

I used to think that if you weren’t “good enough” at art, or music, or whatever, you were ‘wasting your time’. I now know that it isn’t being good at art that is the point, it is simply the doing. What you can learn about yourself as you peer closely at things and try and make sense of them with pencil and paper are all part of understanding who you can be.

It’s a worthwhile project, I promise.

Love,

Grandma Judy

All Process, Not Much Product… Yet

Dear Liza,

It has been a fun, happy, busy weekend! I made a stencil I really like to use in my Art Journal. So far I haven’t finished with it yet, but it is showing promise.

I also started whacking away at the two dozen or so blogs I have written about our wonderful, historic Lone Fir Cemetery. I started simply copying them, then realized that with just a little tweaking, there is a story there about Portland’s history that could be worth telling. I am currently paddling in some very deep water, and enjoying it very much.

There was also a delightful surprise purchase from Jehnee Rains, who runs Suzette, our nearby Creperie. Since she has has greatly reduced business for the ten months of quarantine, she is selling a lot of her catering supplies to raise a bit of cash and simplify her life. Auntie Bridgett saw some ‘bee’ themed bottles she wanted, and I saw cookie cutters, so we threw on clothes some and walked over.

I now have these great beauties to play with, and the cookie dough mixed for delivery to Auntie Katie and the cousins.

I also found a map of Portland I was sewing on last winter and ran out of inspiration for, which is looking more promising now.

Downtown, the Willamette, and our Sunnyside neighborhood

I feel like I’m gunning my engine at the starting line, and can’t decide which race track to run first. I need to take a breath and focus…. or not. I’m sure it will all work out.

Having fun, thinking stuff!

Love,

Grandma Judy

Seasonal Inspiration

Dear Liza,

I started painting this spring. It made sense to paint flowers because are a pleasant, familiar image and, the way I did them, pretty simple. I had not realized that I was painting flowers BECAUSE it was spring. (Yes, sometimes I am a little dense.)

This weekend I looked back at my paintings as the seasons shifted. Even when not working from a seasonal prompt, the pictures kept progressing.

And the latest batch have accidentally proven my point. My spring flowers have given way to frozen landscapes. I have not set out, in most of these pieces, to make a picture of the season. I sit down, look my paints, and pick what appeals to me. I guess my brain is more connected to the wet, dark Oregon winter than I thought. Winter has certainly arrived, and I am feeling it heavily this year.

Maybe today I will try and find spring again, if only in my art, and paint a flower. Or would that would be out of synch, like wearing shorts in the snow?

I am not sure. I have had such fun just painting what comes to mind, I don’t want to irritate the Muse. I’ll see what happens today, I guess.

Love,

Grandma Judy

Beyond Circles

Dear Liza,

When I was starting to paint this year, my goal was to make something look like I wanted, making the picture on the paper match the one in my head. I practiced with flowers and faces, going literally from finger painting to things that mostly looked… right.

And now that I can do that, I am experimenting more. The circle cutter Auntie Bridgett loaned me has been my latest toy. I love circles, and am enjoying grouping them together, layering them, and even painting over them.

This week I started with some orange and blue watercolor, then lay down some softly colored circles. It sort of looked like sunset-y clouds. To make it look even cloudier, I put white acrylic paint on very softly with a textured meat tray. It was pretty, but what if…..?

I wanted to keep going with the layers. This is where I am noticing my change in attitude. Instead of thinking “what if I mess this up?”, I realize that so far I have invested a few hours of quarantine time, some old magazines, and a tablespoon of paint. So if I mess it up, NO BIG DEAL.

So I lay on another meat tray textured layer of blue, then a few more circles. I loved the layers and texture, and it was starting to whisper to me as to what it could be. Instead of making the picture in my head first, I was letting it lead me along.

I softened the colors with a bit of white acrylic and added a “hillside”of white tissue paper. The pink circle was in the right place to be a setting sun, but it needed to be more orange. A circle cut from a tea box fixed that.

After staring at what had become a snowy hillside at sunset, I saw that it needed some silhouetted trees. I studied other folks’s work and Auntie Bridgett gave me some pointers, and I went for it. After putting in some close up trees and some further away, adjusting my sky color and putting in some shadows, I am pretty happy with it….. for now. I’ll go do something else and have a look later.

So I guess my lesson of the week is to not limit myself as to “just” the pictures I see in my head. The ones that emerge on the paper can be so much more!

Love,

Grandma Judy

Art Crows

Dear Liza,

We have a lot of birds in Portland, but our most visible and noisy feathered friends are the crows. They are comfortable around people and don’t mind sharing our snacks or their opinions.

There is a healthy flock (called a ‘murder’, in crow jargon) in our Lone Fir Cemetery, and a lady who comes to feed them every afternoon. She says she doesn’t know if she is their queen or their slave.

Quickened Towards all Celestial Things, by Julianna Paradisi

All this avian beauty is inspiring! I have photographed dozens of crows, and other artists have honored them, as well. Julianna Paradisi, a Portland artist, created the wonderful “Quickened Towards all Celestial Things” in 2018. That same year, I photographed it at the Artbar downtown.

Browsing old photos for inspiration yesterday, I found it again and hoped to reimagine it as a collage. I must admit, in my “I’m not an artist” days, I had assumed that artists just picked up a brush or pair of scissors and ‘whoosh!’ Art happened. But during my ‘quarantine art education’, I have learned there is a lot of making mistakes, starting over, and just keeping at something until it looks right.

This crow took many sketches and lots of staring and trimming before I was happy with it. Cut out of black card stock, it joined magazine clippings, the remainder of a few envelopes, and just enough paint to make it interesting.

Thanks, Julianna Paradisi! Thanks, crows!

Love,

Grandma Judy

This Week’s Media Mix-up

Dear Liza,

My friend Ruth Inman gave us an odd list of things for our mixed media challenge this week. Threads pulled from fabric. Large envelopes. And a ‘page extender’, a flap or a fold-out section to make the page bigger.

As usual, I read the list before bed, so my brain could be working on it while I was asleep. I have a very self-motivated. brain, I guess, because when I woke up I knew just what to do.

Since I have been obsessed with trees lately, that’s where I headed. I drew a hillside with watercolor pencils and pulled some threads from some grey and brown fabric and slowly built a winter tree trunk and bare branches. This was tricky, because after a while the thread wanted to stick to my glue-y fingers instead of the paper, but I slowed down and got it all where I wanted it. I love how it looks and feels. Very nubbly and bark-Ish.

Next, I taped down a flap that would be the Fall part of the tree, and started putting on the orange and brown leaves. I used crumpled pages from magazines and an old Manila envelope.

Wintry tree with Fall flap

I realized that my tree was going to be pretty stumpy on top, so I taped yet another flap on and kept adding leaves until I was happy with the height. I needed to leave a slight gap so the page could fold.

Of course, a taller tree needed taller branches, so more threads got added to the Wintry tree. This sort of unexpected drift of a project can be frustrating, but is also exciting and fun, adjusting to what is needed.

This project ended up taking longer than I thought, because I had to wait for layers of glue and paint to dry, and having two flaps instead of one! Here is a picture to show how it is put together.

This website won’t post videos, but I have put one on my Judy Drueding Facebook page to show how the flaps open up. Go take a look! And if you don’t do Facebook, write me a comment and I’ll send it to you.

Have fun making art!

Love,

Grandma Judy

More Mixing of Media

Dear Liza,

Learning and doing new things is a wonderful way to stay young. Doing the Art Journal challenge with Ruth Inman every week is making me be a better artist, too.

This week I decided to use the mixed media items (address labels, box tops, and can labels) to make a picture that wasn’t about the collage. Let me explain.

I have usually made collages where the paper itself is the feature. The Tootsie Roll wrappers in my bouquet, though bright and fun, never looked like anything other than what they were.

My new challenge was to make a real picture using collage bits. Since I am getting better at faces (by practicing a lot), I decided to draw a face with watercolor pencils, then build the environment with collage.

Naked face and some tentative background…

Once I got the basic proportions in, I built my cityscape background from junk mail. I made them very vertical so they looked like tall buildings. Auntie Bridgett showed me how to make the perspective.

Then came the hard part, making the face. Auntie Bridgett suggested making my character monochromatic, or all one color. I chose blue.

The more I drew, the more I liked it. Shading cheekbones and eye sockets is something that definitely takes practice! Putting in sky and what I thought was a street made it more ‘real’.

He needed a face, so I made eyes out of box tops and junk mail, with eyebrows from address labels, and lips, mustache and goatee from security envelopes.

His hair is made from address labels, with a little black acrylic sponged on to make it more uniform in color. I kept liking it, so I put some details in the background with an Elegant Writer and a few clouds to give perspective.

Looking again, I realized the ‘street’ really looked like an overcoat, so I put in some lapels. And voila! I call him Georges, because he looks French, stylish, and a bit paranoid. I hope when you see this, you will try making a collage picture, too!

Love,

Grandma Judy